Chow Chun Fai, a Hong Kong painter who recently painted a series painting of anti-extradition bill protest, talked about the necessity to make art in such an era and what art is not gonna bringing to the progress but memory and history. He thought one day in the future, someone will look at his painting, like what we saw in the museum, those paintings about war. If the painting can make something different, like 2%, he's already fine with it.

To see the making of things in a political context through the
eyes of someone else...to have eye contact one day with someone.

IT IS A STORY ABOUT A GROUP OF PEOPLE IN A PLACE CALLED HONG KONG 
A DOT IN THE WORLD MAP THAT THEY RECORD ANY SINGLE DOTS FOR A BIGGER
PICTURE OF THE DOT

WHY making art in times of:
seeing:
brutality and violence of political power and police
the fact that violence of such a power outcast those of protesters, which is always enlarged by the power...

WHY making art if:
there are not many people understand...

Hon Lai-Chu, a Hong Kong writer, who talked about the whole event is like a sea that publishing a book is just a boat. It's not gonna cover the whole while there are some "black hole" that will never redressed and things that are unjust are longer rehabilitated. It is through writing that she could let people who have not gone through it to know what's going on. She said
"there are far too much wronged/unfair treatment that they are too little, you will never know if you are are being there./

/整件事廣闊得就像大海，出一本書只是其中一條船。根本不可能涵蓋。裏邊一些像黑洞的部分幾乎永遠無法平反，不公平的事已無法由書寫令正義得到伸張。透過書寫，我只想令沒有經歷過、或其他地方的人們，知道發生了什麼事。因為實在太多委屈，而這些委屈實在太細微，你不身處其中根本不會知道。/